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Ray Stevens (born Harold Ray Ragsdale, January 24, 1939) is an American country music, pop singer-songwriter who has become known for his novelty songs.
He was born in Clarkdale, Georgia, a small town west of Atlanta. Stevens' recording career began in the mid-1950s with two singles released on Prep Records. He then signed a contract with Capitol Records with the help of Atlanta, Georgia music maven Bill Lowery. In 1958, Stevens joined Lowery's National Recording Corporation (NRC), playing numerous instruments, arranging music, and performing background vocals for its band. After NRC filed for bankruptcy, he signed with Mercury Records with whom Stevens recorded a series of hit records in the 1960s that included songs such as "Ahab the Arab", "Harry the Hairy Ape", "Funny Man," the original recording of "Santa Claus Is Watching You", and "Jeremiah Peabody's Polyunsaturated Quick-Dissolving, Fast-Acting Pleasant-Tasting Green and Purple Pills". The song that introduced Stevens to most of his fan base is a shortened version of "Ahab the Arab", which reached #5 on the Hot 100 in the summer of 1962.
In 1966, Stevens signed with Monument Records and started to release serious material such as "Mr. Businessman" in 1968, a Top 30 pop hit; "Have a Little Talk With Myself" and the original version of "Sunday Morning Coming Down" in 1969, which became Stevens' first two singles to reach the country music charts. O.C. Smith covered the Stevens-penned Isn't It Lonely Together while Sammy Davis, Jr. covered Have a Little Talk With Myself. Stevens continued releasing novelty songs, and in 1969 he had a Top 10 pop hit with "Gitarzan". Stevens also became a regular on The Andy Williams Show during the 1969–1970 season, and he hosted his own summer show, The Ray Stevens Show, in 1970. In Australia, Ross D. Wylie reached the top 20 with his cover of the Stevens-penned, Funny Man. Stevens' collection of Hot 100 hits is evenly divided between serious and novelty.
As an A&R man, music producer, songwriter, and music arranger he assisted countless artists in the recording studio during his years at Mercury Records and Monument Records, 1961 through early 1970. Some of the acts he was associated with during that time period were Brenda Lee, Brook Benton, Patti Page, Joe Dowell, Dusty Springfield, and Dolly Parton. Stevens was a writer or co-writer of several songs those particular acts recorded. My True Confession , a Top-10 on the R&B chart in 1963 for Brook Benton, was written by Stevens and Margie Singleton. Stevens was the arranger for an obscure Doyle Holly recording titled "My Heart Cries For You" which had been recorded previously by Stevens during the late 1950s.
Starting in the 1970s, Stevens became a producer and well-known studio musician on the Nashville scene. He recorded songs for Barnaby Records and Warner Brothers during 1970–1979. Stevens' biggest hit in the United States was his gospel-inflected single "Everything Is Beautiful" (1970). The single won a Grammy Award, was the theme song for his summer 1970 TV show, hit #1 on both the pop and Adult-Contemporary charts, and marked his first time in the Top 40 on the country charts, peaking at #39. It sold over one million copies, and was awarded a gold disc. His other 1970 singles were "America, Communicate With Me" and "Sunset Strip", both of which reached the Top-20 on the Adult-Contemporary lists. His novelty song "Bridget the Midget (The Queen of The Blues)" made #2 on the United Kingdom chart in 1971 and in the US it reached #50. Stevens had a gospel/country hit single in early 1972 with Albert E. Brumley's "Turn Your Radio On", reaching the country Top 20. Two more of Stevens' songs in 1971 were also minor pop hits, "A Mama and a Papa" and "All My Trials," but both crossed over to the Top 10 Adult-Contemporary lists. Stevens frequently toured Canada and went overseas to the UK. A rock-infected gospel arrangement accompanied his version of "Love Lifted Me" and it became a hit single in Bangkok in the fall of 1972, finding its way into the Top-5 for the week ending September 30.
In 1973, Stevens had a top 40 country hit with the title track of his album, "Nashville", and increased his exposure on television by performing on a variety of prime-time programs of the era. In 1974, Stevens recorded perhaps his most famous hit, "The Streak", which poked fun at the early-1970s fad of running nude in public, known as "streaking". It made No. 1 in both the UK and the US and No. 3 on the country chart. In 1975, he released the Grammy-winning "Misty", which became his biggest country hit (reaching #3 on the country charts and #14 on the pop charts); he also entered the country Top 40 with a doo-wop version of "Indian Love Call", "Everybody Needs a Rainbow", and a ballad version of "Young Love" in early 1976. Stevens' tenure with Barnaby came to an end in early 1976.
Stevens joined Warner Brothers in 1976, where his debut was a strong showing with three hit singles in a row. The first was the up-tempo version of "You Are So Beautiful", which reached the country Top 20, then "Honky Tonk Waltz", which reached the Top 30. He then released a novelty single: under the pseudonym "Henhouse Five Plus Too," Stevens recorded a version of Glenn Miller's "In The Mood" in the style of a clucking chicken; it became a Top 40 hit in the US and UK in early 1977. In 1978 he had a hit with "Be Your Own Best Friend" on the country charts, and in 1979 he had his last Hot 100 hit (to date) with the novelty "I Need Your Help, Barry Manilow", which he released from the album The Feeling's Not Right Again. In the US, Stevens' singles would reach only the country chart nationally thereafter. He joined RCA in late 1979, releasing new material in 1980.
After joining RCA in 1980, Stevens continued having hit singles, but with somewhat less success than in the previous decade. His debut single, the Top 10 "Shriner's Convention" and then the Top 20 love ballad "Night Games" performed relatively well on the charts. In 1981, only one single made the charts, the Top 40 hit "One More Last Chance." In 1982, after he had released a few more singles, notably the Top 40 "Written Down in My Heart", Stevens left RCA and returned to Mercury Records, the label that made him a star in the early 1960s. This resulted in only one album, the 1983 project Me, and only one chart hit, "My Dad", in early 1984.
Stevens then joined MCA in 1984 as a "country comedy" act and thereafter released only novelty song albums. The fan-voted Music City News awards named Stevens Comedian of the Year annually for nine consecutive years from 1986 to 1994. However, Stevens' singles were no longer making the Top 40 charts as they were considered comedy–novelty, and country radio resisted playing songs that were not serious. A few of Stevens' commercial singles charted on the Single Sales charts during this time, but only one single, "Mississippi Squirrel Revival", made it to the Top 40. "Mississippi Squirrel Revival" reached the Top 20, making that his final single to hit the Top-40 portion of the country singles chart. "Would Jesus Wear a Rolex" is the only single during his 1984–1989 stint on MCA that came close to reaching the Top 40, stalling at #41 in 1987. Second to that, the other single close to hitting the Top 40 on the country chart was the #45 hit "The Haircut Song" in 1985.
His comedy albums were nonetheless enjoying widespread success. His first series of albums for MCA all made the country charts with several of them remaining on the charts for months at a time. His first two albums for MCA reached the Top-5 with I Have Returned hitting the top spot in early 1986. Afterward his albums routinely peaked in the middle of the charts. A 1987 Greatest Hits album became a platinum seller while several other releases achieved gold status. One of the trademarks of Stevens' string of comedy albums were the photo shoots. For example, on one album he's dressed up as Napoleon Bonaparte, on another he's Humpty Dumpty, and on another he's dressed as General Douglas MacArthur. Stevens' lack of airplay wasn't affecting his ability to sell records. National shows like Hee-Haw and a variety of programs on The Nashville Network that frequently gave exposure to all forms of country music.
Stevens left MCA in 1989 for Curb/Capitol Records. His first release arrived in 1990. The two labels split up soon after and Curb Records continued releasing material on Stevens. His All-Time Greatest Comic Hits, a compilation project released by Curb in 1990, became a gold album by mid-decade. Lend Me Your Ears and #1 With a Bullet were released in 1990 and 1991 respectively. The latter featured the satirical hit "Working for the Japanese" in which Stevens sings about the American economy and how dollars are boosting overseas economies instead of its own.
In the 1990s, Stevens took new directions. The most ambitious was the opening of his own theater in Branson, Missouri in 1991. The theater business had been steadily growing in the small Missouri town of Branson for a period of years and by the time Stevens began building his theater the area was reaching its peak. Stevens benefited from the theater boom largely because his stage show was different from others. His reputation as a comedian and as an all-around entertainer meant that for most tourists his show was one of the destination spots judging by the number of sold-out performances he gave at the theater. When crowds reacted favorably to his music videos being played on a large screen at his theater Stevens began selling videos for his fans to take home.
In the spring and summer of 1992, his Comedy Video Classics became a million-selling home video through direct marketing and television advertisements. Commercials for Stevens' home video aired countless times throughout 1992, mostly in the morning hours and often during late-night. Branson was also experiencing its highest commercial peak in the summer and fall of both 1992 and 1993. Ray Stevens was back in the national media once again with his enormously successful home video and music theater. In the midst of all the success, though, Stevens closed down his theater after the 1993 season citing exhaustion and monotony after doing two shows a day, six days a week, for five to six months at a time. Several of his performances at his theater were filmed and surfaced in home video form. Ray Stevens Live! became another home video mail-order success in 1993 following the same path of Comedy Video Classics.
Meanwhile, Comedy Video Classics had become available for retail distribution and it became a big seller again. In 1993, it was named Home Video of the Year by Billboard magazine in their annual end of the year publication which cites the most popular artists, songs, CDs, and video items of the year.
Classic Ray Stevens was issued in the early fall of 1993. This was the first audio release from Stevens since early 1991. The album's title was a reference to the classical-looking photo shoot which features a bust of Ray Stevens mocking Beethoven. The home video of Ray Stevens Live! was released to retail stores in 1994 and it became a Top-5 success on Billboard's Home Video chart. The concert video often ranked above or below Comedy Video Classics on the charts. In the late summer of 1995, the movie Get Serious! was released on home video.
The movie, which runs 1 hour and 50 minutes, offers several plots and a collection of newly-produced music videos which act as commentary to the action. One plot point of the movie centers on a fictional record company for which Stevens records being bought out by a Japanese conglomerate. This is a reference to the consolidation practices taking place in the music industry. Another plot-point deals with Stevens' reputation as a comical singer and how the new executive of the fictional record company, based vocally on Paul Lynde, wants Stevens to change his image from comedy to classical opera. Stevens refuses and this brings to the surface another plot-point of the movie: political correctness. Seeking revenge on Stevens, the executive hatches a plan to ruin Stevens’ career by labeling him politically incorrect. The last plot-point centers on character defamation as numerous characters from several Stevens songs turn out to really exist and they want to sue the singer for defamation. This plot is based on a song that Stevens recorded in 1986 entitled "Dudley Dorite of the Highway Patrol" where a local policeman stops Stevens for speeding and afterward informs the singer that he's in a whole lot of trouble for using easily identifiable people as characters in his songs. The song was re-recorded specifically for the movie as Dudley Dorite is one of the main characters in the movie. He's portrayed by Stevens' long-time songwriting partner, C.W. Kalb, Jr..
The home video became another mail-order success throughout 1995 and was released to retail stores, via MCA, late in 1996. The video hit the Top-5 on Billboard's Home Video chart early in 1997 during a more than 20 week chart run. Stevens had by this point exited Curb Records.
Stevens found a new home with his previous label, MCA. MCA was responsible for the retail distribution of Get Serious! and for marketing Ray as a comical singer for the first time in the mid-1980s.
The reunion with MCA consisted of the retail release of Get Serious! in late 1996 and two new audio CD's in 1997: Hum It and Christmas Through a Different Window, the latter release being a collection of Christmas novelty songs. After the MCA contract ended, Stevens became exclusive to his own label, Clyde Records, for a period of years.
On-line rumors began circulating about his death. The confusion may have arisen in the summer of 1996 following the death of a wrestler named Ray "The Crippler" Stevens. The singer Ray Stevens once recorded a wrestling song entitled "The Blue Cyclone". Stevens the singer reported to the media that his office had received thousands of sympathy cards due to the confusion.
In April 1999 Stevens was diagnosed with early stage prostate cancer and had to cancel his series of concerts at the Acuff Theatre that summer. Stevens received a clean bill of health upon successful surgery and returned to the stage in time to deliver his Christmas concert series.
After the partnership with MCA ended, he remained active on his own label, Clyde Records, until he found another home with Curb Records, returning to the label in 2001. Early in 2002, "Osama Yo' Mama" was released. It made the country Top 50, reached the Top-5 on the country single sales chart, achieved Gold selling status, and the album of the same name reached the country Top-30. After the release of this album Stevens returned to Branson, Missouri and re-opened his theater in 2004. He remained active there for three more seasons. He shut the theater down for good after the 2006 season, selling it off to cable network RFD-TV, which continues to operate it to this day.
An obscure release called "The New Battle of New Orleans" came along in 2005 as a response to the vandals and looters in the aftermath of Hurricane Katrina. Many people confused the version of The New Battle of New Orleans by its principal writer, Chuck Redden, with the version by Stevens. The recording by the writer features much more pointed accusations and assertions and it is this version which appears on various web-sites specializing in lyric re-printing. The confusion arises when these web-sites credit Stevens as the singer of that version.
Ray and his songwriter friend Buddy Kalb removed a lot of the original lyrics in the song and supplied new lyrics in a more G-rated setting. In spite of the various lyrical re-writes by Stevens and Kalb, the overall point of the song that the locals expected and demanded too much from their government, is still clear. The song was issued as a single-only in 2005.
Curb Records, in the meantime, continued to release DVD music video collections on Stevens during this time. The music videos featured limited animation.
Stevens returned to releasing music once again in 2007, firstly in July 2007, with the single-only "Ruby Falls", a combination of jazz, blues, and country music, and secondly with the CD New Orleans Moon, released on his own label. This CD contains various songs in tribute and honor to New Orleans and Louisiana. Stevens covers "Louisiana Man", "Louisiana", "The Battle of New Orleans", "Way Down Yonder in New Orleans", "New Orleans", and several more.
The following year Stevens issued the album Hurricane, also on his own label. It was released in February 2008 at Stevens' on-line music store at his website then was released nationally in November of that year to a wider audience. This CD featured a wide array of comical songs including a pair of redneck anthems, "Hey Bubba, Watch This!" and "Bubba the Wine Connoisseur". The CD also marked the debut of "Sucking Sound", a political/economic song about Ross Perot and how his warnings of the flaws in a global economy, which were mocked in 1992, became somewhat of a reality by 2008 resulting in massive lay-offs and job losses.
Concurrently in 2008, a tribute to the songs of Frank Sinatra that Stevens recorded was also being offered at the web-site store during the latter half of 2008. The album is titled Ray Stevens Sings Sinatra...Say What?? and it became nationally distributed in February 2009. Stevens did not promote or publicize the tribute album. Later in 2009 he released One for the Road, a CD aimed primarily at truckers. It was sold exclusively at the Pilot truck stops for several weeks prior to its release nationally. The CD contains a mixture of material ranging from truck driver oriented songs to somber ballads. There are also several re-recordings of his greatest hits added into the equation. There are fifteen tracks featured on the trucker CD in which the first three tracks, in addition to track seven, specifically deal with situations while on the road: "Concrete Sailor", "Convoy", "Right Reverend Road Hog McGraw", and "Hang Up and Drive". "Mary Lou Nights" and "Oh, Lonesome Me". "Retired" originated as a duet between Stevens and Brent Burns but for this CD it is delivered solo.
In 2009 Stevens was inducted into the Christian Music Hall of Fame and he appeared on the PBS series Legends and Lyrics. A television show that Stevens stars in, We Ain't Dead Yet, became available to subscribers at his web page. The subscription is to an exclusive section of his web-page called "Ray Stevens Backstage" and each month a different episode becomes available. The series focuses on senior citizens and it usually features a special guest each episode stopping by the main set, a retirement home, to perform songs.
In the early fall of 2009 Stevens released a holiday collection of songs titled Ray Stevens Christmas. Late in November an EP became available featuring a couple of his serious Christmas songs but the main attraction was his cover of Seymour Swine's (a fictional group that recorded a stuttering rendition of "Blue Christmas") "Blue Christmas", complete with stutter. Stevens had also recorded a non-comical version of this song for his Ray Stevens Christmas release. The stuttering version can only be found on the EP release.
In December 2009, Stevens issued the single and on-line video "We the People", which quickly became a viral video and surpassed a million unique views in a month's time on You Tube. The video is critical of health care reform. Stevens followed this music video with "Caribou Barbie" in March 2010. This music video is supportive of Sarah Palin. The video uses a Palin impersonator and through the help of sight-gags it takes aim at several high-profile personalities on cable television.
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