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Dame Julia Elizabeth Andrews, DBE (née Wells; born 1 October 1935) is an English film and stage actress, singer, and author. She is the recipient of Golden Globe, Emmy, Grammy, BAFTA, People's Choice Award, Theatre World Award, Screen Actors Guild and Academy Award honors. In 1996, she famously declined the Tony Award nomination for Best Actress in a Musical, an award she was favourited to win. Andrews is a former British child actress and singer who made her Broadway debut in 1954 with The Boy Friend, and rose to prominence starring in other musicals such as My Fair Lady and Camelot, and in musical films such as Mary Poppins (1964), for which she won the Academy Award for Best Actress, and The Sound of Music (1965): the roles for which she is still best-known. Her voice, which originally spanned four octaves, was damaged by a throat operation in 1997.
Andrews had a revival of her film career in the 2000s in family films such as The Princess Diaries (2001), its sequel The Princess Diaries 2: Royal Engagement (2004), the Shrek animated films (2004–2010), and Despicable Me (2010). In 2003 Andrews revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend at the Bay Street Theatre, Sag Harbor, New York (and later at the Goodspeed Opera House, in East Haddam, Connecticut in 2005).
Andrews is also an author of children's books, and in 2008 published an autobiography, Home: A Memoir of My Early Years.
Julia Elizabeth Wells was born on 1 October 1935 in Walton-on-Thames, Surrey, England. Her mother, Barbara Ward Wells (née Morris), was married to Edward Charles "Ted" Wells, a teacher of metal and woodworking, but Andrews was conceived as a result of an affair her mother had with a family friend.
With the outbreak of World War II, Barbara and Ted Wells went their separate ways. Ted Wells assisted with evacuating children to Surrey during the Blitz, while Barbara joined Ted Andrews in entertaining the troops through the good offices of the Entertainments National Service Association (ENSA). Barbara and Ted Wells were soon divorced. They both remarried: Barbara to Ted Andrews, in 1939; and Ted Wells to a former hairstylist working a lathe at a war factory that employed them both in Hinchley Wood, Surrey.
Andrews lived briefly with Ted Wells and her brother John in Surrey. In about 1940, Ted Wells sent her to live with her mother and stepfather, who, the elder Wells thought, would be better able to provide for his talented daughter's artistic training. According to her 2008 autobiography Home, while Julie had been used to calling Ted Andrews "Uncle Ted", her mother suggested it would be more appropriate to refer to her stepfather as "Pop", while her father remained "Dad" or "Daddy" to her. Julie disliked this change.
The Andrews family was "very poor and we lived in a bad slum area of London," Andrews recalled, adding, "That was a very black period in my life." In addition, according to Andrews' 2008 memoir, her stepfather was an alcoholic. Ted Andrews twice, while drunk, tried to get into bed with his stepdaughter, resulting in Andrews putting a lock on her door. But, as the stage career of Ted and Barbara Andrews improved, they were able to afford to move to better surroundings, first to Beckenham and then, as the war ended, back to the Andrews' home town of Hersham. The Andrews family took up residence at The Old Meuse, in West Grove; Hersham (now demolished) a house where Andrews' maternal grandmother happened to have served as a maid.
Julie Andrews' stepfather sponsored lessons for her, first at the Cone-Ripman School, an independent arts educational school in London, then with the famous concert soprano and voice instructor Madame Lilian Stiles-Allen. "She had an enormous influence on me", Andrews said of Stiles-Allen, adding, "She was my third mother – I've got more mothers and fathers than anyone in the world." In her memoir Julie Andrews – My Star Pupil, Stiles-Allen records: "The range, accuracy and tone of Julie's voice amazed me ... she had possessed the rare gift of absolute pitch" (though Andrews herself refutes this in her 2008 autobiography Home). According to Andrews: "Madame was sure that I could do Mozart and Rossini, but, to be honest, I never was". Of her own voice, she says "I had a very pure, white, thin voice, a four-octave range – dogs would come for miles around." After Cone-Ripman School, Andrews continued her academic education at the nearby Woodbrook School, a local state school in Beckenham.
Early career in the United Kingdom
Julie Andrews performed spontaneously and unbilled on stage with her parents for about two years beginning in 1945. "Then came the day when I was told I must go to bed in the afternoon because I was going to be allowed to sing with Mummy and Pop in the evening," Andrews explained. She would stand on a beer crate to reach the microphone and sing, sometimes a solo or as a duet with her stepfather, while her mother played piano. "It must have been ghastly, but it seemed to go down all right."
Julie Andrews got her big break when her stepfather introduced her to Val Parnell, whose Moss Empires controlled prominent venues in London. Andrews made her professional solo debut at the London Hippodrome singing the difficult aria "Je Suis Titania" from Mignon as part of a musical revue called "Starlight Roof" on 22 October 1947. She played the Hippodrome for one year. Andrews recalled "Starlight Roof" saying, "There was this wonderful American person and comedian, Wally Boag, who made balloon animals. He would say, 'Is there any little girl or boy in the audience who would like one of these?' And I would rush up onstage and say, 'I'd like one, please.' And then he would chat to me and I'd tell him I sang... I was fortunate in that I absolutely stopped the show cold. I mean, the audience went crazy."
On 1 November 1948, Julie Andrews became the youngest solo performer ever to be seen in a Royal Command Variety Performance, at the London Palladium, where she performed along with Danny Kaye, the Nicholas Brothers and the comedy team George and Bert Bernard for members of King George VI's family.
Julie Andrews followed her parents into radio and television. She reportedly made her television debut on the BBC program RadiOlympia Showtime on 8 October 1949. She garnered considerable fame throughout the United Kingdom for her work on the BBC radio comedy show Educating Archie; she was a cast member from 1950 to 1952.
Andrews appeared on West End Theatre at the London Casino, where she played one year each as Princess Badroulbadour in Aladdin and the egg in Humpty Dumpty. She also appeared on provincial stages across United Kingdom in Jack and the Beanstalk and Little Red Riding Hood, as well as starring as the lead role in Cinderella.
In 1950 at the age of 14, Andrews was asked to sing at a party of a family friend, Katherine Norwalk, and it was then that she learned that Ted Wells was not her biological father.
Early career in the United States
On 30 September 1954 on the eve of her 19th birthday, Julie Andrews made her Broadway debut portraying "Polly Browne" in the already highly successful London musical The Boy Friend. To the critics, Andrews was the stand-out performer in the show. Near the end of her Boy Friend contract, Andrews was asked to audition for My Fair Lady on Broadway and got the part. In November 1955 Andrews was signed to appear with Bing Crosby in what is regarded as the first made-for-television movie, High Tor.
Andrews auditioned for a part in the Richard Rodgers musical Pipe Dream. Although Rodgers wanted her for Pipe Dream, he advised her to take the part in the Frederick Loewe and Alan Jay Lerner musical My Fair Lady if it were offered to her. In 1956, she appeared on stage in My Fair Lady as Eliza Doolittle to Rex Harrison's Henry Higgins. Rodgers was so impressed with Andrews' talent that concurrent with her run in My Fair Lady that she was featured in the Rodgers and Hammerstein television musical, Cinderella. Cinderella was broadcast live on CBS on 31 March 1957 under the musical direction of Alfredo Antonini and attracted an estimated 107 million viewers.
Andrews married set designer Tony Walton on 10 May 1959 in Weybridge, Surrey. They had first met in 1948 when Andrews was appearing at the London Casino in the show Humpty Dumpty. The couple filed for a divorce on 14 November 1967.
Between 1958 and 1962, Andrews appeared on such specials as CBS-TV's The Fabulous Fifties and NBC-TV's The Broadway of Lerner & Loewe. In addition to guest starring on The Ed Sullivan Show, she also appeared on The Dinah Shore Chevy Show, What's My Line?, The Jack Benny Program, The Bell Telephone Hour, and The Garry Moore Show. In June 1962 Andrews co-starred in Julie and Carol at Carnegie Hall, a CBS special with Carol Burnett.
In 1960 Lerner and Loewe again cast her in a period musical as Queen Guinevere in Camelot, with Richard Burton and newcomer Robert Goulet. However movie studio head Jack Warner decided Andrews lacked sufficient name recognition for her casting in the film version of My Fair Lady; Eliza was played by the established film actress Audrey Hepburn instead. As Warner later recalled, the decision was easy, "In my business I have to know who brings people and their money to a movie theatre box office. Audrey Hepburn had never made a financial flop."
Andrews and her husband headed back to Britain in September 1962 to await the birth of daughter Emma Katherine Walton, who was born in London two months later. The family returned to the United States in 1963 and Andrews began her work in the title role of Disney's musical film Mary Poppins. Walt Disney had seen a performance of Camelot and thought Andrews would be perfect for the role of the British nanny who is "practically perfect in every way!" Andrews initially declined because of pregnancy, but Disney politely insisted, saying, "We'll wait for you."
As a result of her performance in Mary Poppins, Andrews won the 1964 Academy Award for Best Actress and the 1965 Golden Globe Award for Best Actress – Motion Picture Musical or Comedy. She and her Mary Poppins co-stars also won the 1965 Grammy Award for Best Album for Children. As a measure of "sweet revenge," as Poppins songwriter Richard M. Sherman put it, Andrews closed her acceptance speech at the Golden Globes by saying, "And, finally, my thanks to a man who made a wonderful movie and who made all this possible in the first place, Mr. Jack Warner." Warner passed over Andrews in favor of Audrey Hepburn for the starring role of Eliza Doolittle in My Fair Lady.
In 1964 she appeared opposite James Garner in The Americanization of Emily (1964), which she has described as her favourite film. In 1966, Andrews won her second Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and was also nominated for the 1965 Academy Award for Best Actress for her role as Maria von Trapp in The Sound of Music.
After completing The Sound Of Music, Andrews appeared as a guest star on the NBC-TV variety series The Andy Williams Show, which gained her an Emmy nomination. She followed this television appearance with an Emmy Award-winning color special, The Julie Andrews Show, which featured Gene Kelly and The New Christy Minstrels as guests. It aired on NBC-TV in November 1965.
In 1966 Andrews starred with Max von Sydow in the epic Hawaii, with Paul Newman in the Hitchcock thriller Torn Curtain, and as the title character of the 1920s spoof musical Thoroughly Modern Millie, her last big cinema hit for the next fifteen years.
By the end of 1967, Andrews was the world's most successful film star. She had appeared in the most-watched television special Cinderella; the biggest Broadway musical of its time, My Fair Lady; the largest-selling long-playing album, the original cast recording of My Fair Lady; the biggest hit in Disney's history, Mary Poppins; the highest grossing movie of 1966, Hawaii; the biggest and second biggest hits in Universal's history, Thoroughly Modern Millie and Torn Curtain; and the biggest in 20th Century Fox's history, The Sound of Music.
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