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James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, Taylor was inducted into the Rock & Roll Hall of Fame in 2000.
Taylor achieved his major breakthrough in 1970 with the #3 single "Fire and Rain" and had his first #1 hit the following year with "You've Got a Friend", a recording of Carole King's classic song. His 1976 Greatest Hits album was certified Diamond and has sold 12 million US copies. Following his 1977 album, JT, he has retained a large audience over the decades. His commercial achievements declined slightly until a big resurgence during the late 1990s and 2000s, when some of his best-selling and most-awarded albums (including Hourglass, October Road and Covers) were released.
James Taylor was born at Massachusetts General Hospital in Boston, Massachusetts, on March 12, 1948, where his father, Isaac M. Taylor, was a resident physician. His father was from a well-off family of Southern Scottish ancestry. His mother, the former Gertrude Woodard, had studied singing with Marie Sundelius at the New England Conservatory of Music and was an aspiring opera singer before the couple's marriage in 1946. James was the second of five children, the others being Alex (1947-1993), Kate (born 1949), Livingston (born 1950), and Hugh (born 1952).
In 1951, when James was three years old, the family moved to what was then the countryside of Chapel Hill, North Carolina, when Isaac took a job as Assistant Professor of Medicine at the University of North Carolina School of Medicine. They built a house in the Morgan Creek area off of what is now Morgan Creek Road, which was sparsely populated. James would later say, "Chapel Hill, the Piedmont, the outlying hills, were tranquil, rural, beautiful, but quiet. Thinking of the red soil, the seasons, the way things smelled down there, I feel as though my experience of coming of age there was more a matter of landscape and climate than people." James attended public primary school in Chapel Hill. Isaac's career prospered, but he was frequently away from home, either on military service at Bethesda Naval Hospital in Maryland or as part of Operation Deep Freeze in Antarctica during 1955–1956. Isaac Taylor later rose to become Dean of the UNC School of Medicine from 1964 to 1971. The family spent summers on Martha's Vineyard beginning in 1953.
Taylor first learned to play the cello as a child in North Carolina, and switched to the guitar in 1960. His style on that instrument evolved from listening to hymns, carols, and Woody Guthrie, while his technique derived from his bass clef-oriented cello training and from experimenting on his sister Kate's keyboards: "My style was a finger-picking style that was meant to be like a piano, as if my thumb were my left hand, and my first, second, and third fingers were my right hand." He began attending Milton Academy, a prep boarding school in Massachusetts in Fall 1961; summering before then with his family on Martha's Vineyard, he met Danny Kortchmar, an aspiring teenage guitarist from Larchmont, New York. The two began listening to and playing blues and folk music together, and Kortchmar quickly realized that Taylor's singing had a "natural sense of phrasing, every syllable beautifully in time. I knew James had that thing." Taylor wrote his first song on guitar at age 14, and continued to learn the instrument effortlessly. By the summer of 1963, he and Kortchmar were playing coffeehouses around the Vineyard, billed as "Jamie & Kootch".
Taylor faltered during his junior year at Milton, not feeling at ease in the high-pressured college prep environment despite having good scholastic performance. The Milton principal would later say, "James was more sensitive and less goal oriented than most students of his day." He returned home to North Carolina to finish out the semester at Chapel Hill High School. There he joined a band his brother Alex had formed called The Corsayers (later The Fabulous Corsairs), playing electric guitar; in 1964 they cut a single in Raleigh that featured James's song "Cha Cha Blues" on the B-side. Having lost touch with his former school friends in North Carolina, Taylor returned to Milton for his senior year.
There, Taylor started applying to colleges, but soon descended into depression; his grades collapsed, he slept twenty hours a day, and he felt part of a "life that I unable to lead." In late 1965 he committed himself to the renowned McLean Hospital in Belmont, Massachusetts, where he was treated with Thorazine and where the organized days began to give him a sense of time and structure. As the Vietnam War built up, Taylor received a psychological rejection from Selective Service System when he appeared before them with two white-suited McLean assistants and was uncommunicative. Taylor earned a high school diploma in 1966 from the hospital's associated Arlington School. He would later view his nine-month stay at McLean as "a lifesaver ... like a pardon or like a reprieve," and both his brother Livingston and sister Kate would later be patients and students there as well. As for his mental health struggles, Taylor would think of them as innate, and say: "It's an inseparable part of my personality that I have these feelings."
Taylor checked himself out of McLean and, at Kortchmar's urging, moved to New York City to form a band. They recruited Joel O'Brien, formerly of Kortchmar's old band The King Bees, to play drums, and Taylor's childhood friend Zachary Wiesner (son of noted academic Jerome Wiesner) to play bass, and – after Taylor rejected the notion of naming the group after him – called themselves The Flying Machine. They played songs that Taylor had written at and about McLean, such as "Knocking 'Round the Zoo", "Don't Talk Now", and "The Blues Is Just a Bad Dream". In some other songs, Taylor romanticized his life, although he was plagued by self-doubt. By summer 1966 they were performing regularly at the high-visibility Night Owl Cafe in Greenwich Village alongside acts such as The Turtles and Lothar and the Hand People.
Taylor associated with a motley collection of people and began using heroin, to Kortchmar's dismay, and wrote the "Paint It, Black"-influenced "Rainy Day Man" to depict his drug experience. In a hasty recording session in late 1966, the group cut a single, Taylor's "Brighten Your Night with My Day" backed with his "Night Owl". Released on Jay Gee Records, a subsidiary of Jubilee Records, it received some radio airplay in the Northeast, but only charted to #102 nationally. Other songs had been recorded during the same session, but Jubilee declined to go forward with an album. After a series of poorly-chosen appearances outside New York, culminating with a three-week stay at a failing nightspot in Freeport, Bahamas for which they were never paid, The Flying Machine broke up. (A UK band with the same name emerged in 1969 with the hit song "Smile a Little Smile for Me". The New York band's recordings were later released in 1971 as James Taylor and the Original Flying Machine.)
Taylor would later say of this New York period, "I learned a lot about music and too much about drugs." Indeed, his drug use had developed into full-blown heroin addiction during the final Flying Machine period: "I just fell into it, since it was as easy to get high in the Village as get a drink." He hung out in Washington Square Park, playing guitar to ward off depression and then passing out, letting runaways and criminals stay at his apartment. Finally out of money and abandoned by his manager, he made a desperate call one night to his father. Isaac Taylor flew to New York and staged a rescue, renting a car and driving all night back to North Carolina with James and his possessions. Taylor spent six months getting treatment and making a tentative recovery; he also required a throat operation to fix vocal cords damaged from singing too harshly.
Taylor decided to try being a solo act and a change of scenery. In late 1967, funded by a small family inheritance, he moved to London, living variously in Notting Hill, Belgravia, and Chelsea. He recorded some demos in Soho and, capitalizing on Kortchmar's connection to The King Bees (who once once opened for Peter and Gordon), brought the demos to Peter Asher, who was A&R head for The Beatles' newly-formed label Apple Records. Asher showed the demos to Paul McCartney, who later said, "I just heard his voice and his guitar and I thought he was great ... and he came and played live, so it was just like, 'Wow, he's great." Taylor became the first non-British act signed to Apple. Living chaotically in various places with various women, Taylor wrote additional material, including "Carolina in My Mind", and rehearsed with a new backing band. Taylor recorded the album from July to October 1968 at Trident Studios, at the same time The Beatles were recording The White Album. McCartney and an uncredited George Harrison guested on "Carolina in My Mind", whose lyric holy host of others standing around me made reference to the Beatles, while the title phrase of Taylor's "Something in the Way She Moves" provided the lyrical starting point for Harrison's classic "Something". McCartney and Asher brought in arranger Richard Hewson to add orchestrations to several of the songs and unusual "link" passages in between them; these would receive a mixed reception at best.
During the recording sessions, Taylor fell back into his drug habit, using heroin and methedrine. He underwent physeptone treatment in a British program, returned to New York and was hospitalized there, and then finally committed himself to the Austen Riggs Center in Stockbridge, Massachusetts, which emphasized cultural and historical factors in trying to treat difficult psychiatric disorders. Meanwhile, Apple released his debut album, James Taylor, in December 1968 in the UK and February 1969 in the U.S. Critical reaction was generally good, including a very positive Jon Landau review in Rolling Stone which said "this album is the coolest breath of fresh air I've inhaled in a good long while. It knocks me out." The record's commercial potential suffered from Taylor's inability to promote it due to his hospitalization and it sold poorly; "Carolina in My Mind" was released as a single, but failed to chart in the UK and only made #118 in the U.S.
Apple Corps itself had fallen into chaos, with anarchic business planning and freeloaders taking advantage of it in every direction. In early 1969, to clean up the situation, three of the Beatles brought in Allen Klein, who began purging Apple personnel. Asher did not like Klein; he resigned of his own accord and offered to manage Taylor, to which Taylor agreed. Klein wanted to hit Taylor with a $5 million lawsuit for leaving, but McCartney (a Klein antagonist) and then the other Beatles, overruled him on the grounds that artists should not be holding each other to contracts.
In July 1969 Taylor headlined a six-night stand at The Troubadour in Los Angeles. On July 20 he performed at the Newport Folk Festival as the last act, and was cheered by thousands of fans who stayed in the rain to hear him. Shortly thereafter, he broke both hands and both feet in a motorcycle accident on Martha's Vineyard and was forced to stop playing for several months. But while recovering, he continued to write songs and in October 1969, signed a new deal with Warner Bros. Records.
Once recovered, Taylor moved to California, keeping Asher as his manager and record producer. In December 1969, he held the recording sessions for his second album there. Entitled Sweet Baby James, and with the participation of Carole King, the album was released in February 1970 and was Taylor's critical and popular triumph, buoyed by the single "Fire and Rain", a song about Taylor's experience in psychiatric institutions and the suicide of his friend, Suzanne Schnerr. Both the album and the single reached #3 in the Billboard charts, with Sweet Baby James selling more than 1½ million copies in its first year and eventually more than 3 million in the United States alone. Sweet Baby James was received at its time as a folk-rock masterpiece, an album that effectively showcased Taylor's talents to the mainstream public, marked the direction he would take in following years, and made Taylor one of the main forces of the nascent movement. It earned several Grammy Award nominations including one for Album of the Year. (It would be listed at #103 on Rolling Stone's 500 Greatest Albums of All Time in 2003, with "Fire and Rain" listed as #227 on Rolling Stone's 500 Greatest Songs of All Time the year after.)
During the time Sweet Baby James was released, Taylor appeared with Dennis Wilson of The Beach Boys in a Monte Hellman film, Two-Lane Blacktop. In October 1970, he performed with Joni Mitchell, Phil Ochs, and the Canadian band Chilliwack at a Vancouver benefit concert that funded Greenpeace's protests of 1971 nuclear weapons tests by the U.S. Atomic Energy Commission at Amchitka, Alaska. (This performance would be released in 2009 on the album Amchitka, The 1970 Concert That Launched Greenpeace.) In January 1971, sessions for Taylor's next album began.
His career success so far, and appeal to female fans of various ages, piqued tremendous interest in Taylor, prompting a March 1, 1971, Time magazine cover story. It compared his strong-but-brooding persona to that of Wuthering Heights's Heathcliff and to The Sorrows of Young Werther, and said that, "Taylor's use of elemental imagery—darkness and sunlight, references to roads traveled and untraveled. to fears spoken and left unsaid—reaches a level both of intimacy and controlled emotion rarely achieved in purely pop music." Released in April, Mud Slide Slim and the Blue Horizon also gained massive critical acclaim and contained Taylor's biggest hit single in the U.S., a version of the Carole King standard "You've Got a Friend" (featuring backing vocals by Joni Mitchell), which reached #1 on the Billboard Hot 100 in late July. The album itself reached #2 in the album charts, which would be Taylor's highest position ever on this list. In early 1972, Taylor received his first Grammy Award, for (Best Pop Vocal Performance, Male) for "You've Got a Friend" (King also won Song of the Year for the same song in that ceremony). The album went on to sell 2½ million copies in the United States alone.
November 1972 saw the release of Taylor's fourth album, One Man Dog. A concept album primarily recorded in his home recording studio, it featured cameos by Linda Ronstadt and consisted of eighteen short pieces of music put together. It was received with generally lukewarm reviews and, despite making the Top 10 of the Billboard Album Charts, overall sales were disappointing. The lead single "Don't Let Me Be Lonely Tonight" peaked at #18 on the Hot 100, and the follow-up, "One Man Parade", barely reached the Top 75. Almost simultaneously, Taylor married fellow singer-songwriter Carly Simon on November 3, in a small ceremony at her Murray Hill, Manhattan apartment. A post-concert party following a Taylor performance at Radio City Music Hall turned into a large-scale wedding party, and the Simon-Taylor marriage would find much public attention over the following years. They had two children, Sarah Maria "Sally" Taylor, born January 7, 1974, and Benjamin Simon "Ben" Taylor, born January 22, 1977.
After sixteen years since his last studio album, Taylor released Hourglass, an introspective album that gave him the best critical reviews in almost twenty years. The album had much of its focus on Taylor's troubled past and family. "Jump Up Behind Me" paid tribute to his father's rescue of him after The Flying Machine days, and the long drive from New York City back to his home in Chapel Hill. "Enough To Be On Your Way" was inspired by the alcoholism-related death of his brother Alex earlier in the decade. The themes were also inspired by Taylor and Walker's divorce, which took place in 1996. Rolling Stone found that "one of the themes of this record is disbelief", while Taylor told the magazine that it was "spirituals for agnostics." Critics embraced the dark themes on the album, and Hourglass was a huge commercial success, reaching #9 on the Billboard 200 (Taylor's first Top 10 album in sixteen years) and also provided a big adult contemporary hit on "Little More Time With You". The album also gave Taylor his first Grammy since JT, when he was honored with Best Pop Album in 1998.
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